Review: ‘History: why it matters’ ~ Lynn Hunt
We justify our actions in the present through our understanding of the past. But we live in a time when politicians lie brazenly about historical facts and meddle with the content of history books, while media differ wildly in their reporting of the same event. Frequently, new discoveries force us to re-evaluate everything we thought we knew about the past.
So how can any certainty about history be established, and why does it matter? Lynn Hunt shows why the search for truth about the past, as a continuous process of discovery, is vital for our societies. History has an essential role to play in ensuring honest presentation of evidence. In this way, it can foster humility about our present-day concerns, a critical attitude toward chauvinism, and an openness to other peoples and cultures. History, Hunt argues, is our best defence against tyranny.
Author: Lynn Hunt
Publisher: Polity
This was the first book I read in 2020 and surprisingly it is
non-fiction! I truly started the New Year and decade doing things a little
differently. With that being said, this review is nearly half a year late due
to a little bit of fear on my part. But with multiple signs to suck it up, be
brave and just write it to put it out there it is finally being uploaded onto
my little blog.
The story behind the book [basically how this book walked into my
life]. I happened to (unintentionally) come by this book because of my
brother. I had come back from my final term of university [FOREVER {for now}]
and he had been on a school trip somewhere and they were given some freebies, this
book happened to be one of them. Why they gifted 15 year olds this book, I
simply don’t know. But as someone who loves and has a deep appreciation for the
subject I happily took it off his hands and into my loving care. I’ll be
honest, I didn’t read it straight away. I read it quite a few months after
actually which was down to the fact that I had finished three gruelling years
of a reading intensive subject so I honestly wasn’t in the mind frame that was
inclined towards reading any non-fiction works if I could help it. My heart was
crying out for a fiction binge, and that is exactly what I gave it in those
following months before I finally read this book.
~~~
Enough of the backstory. Time for the “review”! (Sorry in
advance, I’m going to be a little passionate for a little). DISCLAIMER: Unless in quotation marks, the words that
follow are my interpretation of what I read in the book mixed with my personal
opinion and knowledge from studying Ancient History and Archaeology at degree
level. To know the original, do go read the original work in order to have a
more informed understanding of her work.
I love this book and honestly believe everyone should read
it. This book details the reason why I wanted to study the subject, why I
continue believe it is important, and even better is the fact she mentions
ancient history in the mix! She opens it up with a base fundamental that people
often forget about history. Historical “truths” and “facts” are in constant
flux, much like life is constantly changing and evolving. What this means is
that what we perceive to be definitive facts and truths are constantly changing
as they are dependent on the best available evidence as is also the case with
science. And as with science, what is considered a ‘reliable’ source is also up
for debate. If we look at the colonial settings in which much history of the
west is spoken/written from, it shows that the perspective of “facts” are not a
neutral and are subject to perspective. This means that dependant on which side
of the event you are viewing from what is considered fact can look different
due to the differing experiences of the same event, a fact very much prevalent
when talking about colonial contexts. History is often written, and many times,
manipulated for the benefit of those writing it or commissioning it to be
written. And it is also because of this very subjective nature of history that
fabricated facts sometimes die hard (p. 34).
Perhaps one of the factors that sometimes makes fabricated
facts die hard is the way in which history is presented. Hunt states history as
being a “literary art that uses scientific techniques where relevant but whose
fundamental aim is to tell a true story” (p. 37). She is effectively saying
that history relies upon a narrative form in order to convey its message. As a
lover of fiction, my favourite being fantasy, I know that well written
narrative can convince a reader to believe in the unreal so how much more so
when it is about what happened in actuality? What stands out most from this
statement is the part where she mentions that history sometimes employs
scientific techniques in order to find the ‘truth’ which often those who are
more scientifically inclined fail to realise. Though history as a discipline is
considered an arts, it encompasses so more much than just the arts. It truly
overspills into so many other disciplines it is unimaginable. Though she doesn’t
mention this, this statement is even more so for archaeology and ancient
history, where the boundaries of being an “arts” subject are completely ignored
in order to discover the hidden mysteries of the past.
So history aims to present the “truth”, but where did this
concept originate? Well, Hunt says that this certain objectivity is often seen
as a western development to aim for truth, with colonial undertones. Historical
techniques, however, did not start in the west. It is seen in Chinese
traditions, long before history became a discipline in the west. Historians had
such an intense desire to get the facts right that they rather faced death than
give in to political pressures (example given on p. 48). The truthful
aspiration predates western colonialism and imperialism and is rather an
intrinsic aspect of the discipline so it seems (though often used to the
advantage of those seeking it).
It is pointed out that there is a growing inclusion within
the discipline of history, a key development in the global society we are
currently living in. I, personally, find this very ironic being that historical
practice originated within other ethnic cultures, yet in more recent times
their histories were seen as lesser than or inferior to that of the dominating
west. But back to the book. Historical recording began as a pursuit for and
about the elite. It was a way in which elite members of society, often being
rulers and such, to make known their accomplishments for generations to come.
As I recently heard in a documentary which referred to the Egyptian pharaohs,
it is a way in which their names will never be forgotten. Fortunately for the
individual, such as myself and most probably you who are reading this, times
have changed and so has the discipline. Having studied a history, I can
confidently say that though there is more to know about rulers within the
written records, much more effort is now being made within the discipline to
find out more about the regular person, not just the rich and rulers, but the
everyday. We may not be able to find out the exacts of individual people, but I
am glad that there is an effort
being made to have a better understanding of the majority that made the lives
of the minority we see in the written records possible to be what they are.
Hunt points out that those studying or interested in history
develop an unfounded deep passion for places they have no links to (initially),
but as you study, new webs of connections are knitted together. Personally, I
now have an unfound attachement to the Parthenon temple in Athens and get
overly angry at why it was destroyed after writing multiple essays that
reference it. Ultimately we all partake in the same history. Living on one
earth, it is inevitable that a connection between, what seems like separate
histories, is made eventually. “The global is the local multiplied over and
over” (p. 104). History will never be straight forward because of the
multiplicity of its very nature even more so in a global context.
As history becomes more global, there is also the threat of
it ‘modernising’ and forgetting previous studies. In a world constantly looking for ways to
move forward, Hunt notes there is a danger of neglecting past studies in favour
of more recent histories. She says the key thing we learn from studying the
past is a respect for the people who came before us. Wisdom is not altered with
the development of technologies. It can be found in learning how people in the
past confronted their own challenges. This reminds me of a speech I found on
Instagram where Will Smith was saying he way of constantly moving forward was
by running (not that relevant here hehe) and reading books so he could learn
how other people overcame their own challenges in life so that he could learn for
his future.
History is telling a story. And because we are telling a
story, progress is made though not always leading to a definitive end. This
being said, what is thought as the “end” often does influence how the story
will be told since as humans we like things to be as clear as possible even
when we know deep down that things generally never are.
~~~
I also love that she puts in the references for further
reading on the topic at the back with her own thoughts on the works which just
adds to what I have previously said, this book is totally accessible.
“To be ignorant of what occurred before you were born is to
remain always a child. For what is worth of a human life, unless it is woven
into the life of our ancestors by the records of history?” Cicero[1]
I loved reading this book. It felt like I was being gently
reminded why I did a degree in history when I was second guessing my decision
as people kept on questioning if it would amount to anything. Simple, concise,
hugely informative, and most importantly accessible. It is a great read.
[1]
Peter G. Bietenholz, Historia and Fabula:
Myths and Legends in Historical Thought from Antiquity to the Modern Age (Leiden:
Brill, 1994), p. 57.
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